Skip to main content

Jose Mari Chan Sets the Record Straight on Album Royalties


 

Veteran singer-songwriter Jose Mari Chan has clarified that his recent remarks about no longer receiving "royalty checks" referred specifically to earnings from physical music formats such as CDs, cassettes, and vinyl records, not to all forms of music royalties.

 

The clarification comes after comments he made during the media conference for his upcoming concert, Afterglow: Seasons of the Heart, which will take place on July 11 at the Philippine International Convention Center (PICC). During the press conference, some of his remarks sparked discussions online, with several readers interpreting his statement to mean that he no longer receives royalties from his music altogether.

 

According to Universal Records Managing Director Kathleen Dy-Go, Jose Mari's remarks were meant to highlight the decline of physical album sales over the years as the industry shifted toward digital music consumption.

 

"We would like to clarify that Mr. Jose Mari Chan was referring specifically to royalties from CDs, cassettes, and vinyl records. As physical music formats have gradually declined over the years, so have the royalties associated with those sales. His statement should not be construed to mean that he no longer receives royalties from his music altogether," Dy-Go explained.

 

She added that while physical record sales are no longer the primary source of music consumption, artists may still earn royalties through digital streaming platforms, music publishing, synchronization licenses, public performances, and other authorized uses of their recordings, subject to the terms of their respective agreements.

 

"The music industry has evolved significantly over the years. Today, artists have various revenue streams beyond physical album sales, including streaming services, publishing rights, licensing, and other royalty collection mechanisms. Mr. Chan's comments were simply referring to one specific source of royalties that has naturally diminished with changing consumer behavior."

 

Jose Mari Chan made the remarks while reflecting on how the music industry has transformed throughout his decades-long career. From an era dominated by vinyl records, cassette tapes, and compact discs to today's digital-first landscape.

 

Known for timeless classics such as Beautiful Girl, Can We Just Stop and Talk Awhile, and the beloved Christmas anthem Christmas in Our Hearts, Jose Mari remains one of the country's most celebrated recording artists, with his music continuing to resonate with generations of listeners across both traditional and digital platforms.

 

The clarification aims to address any misunderstanding surrounding his comments and underscores the distinction between royalties derived from physical album sales and those generated through today's broader music ecosystem.

Comments

Popular posts from this blog

Prosecutor to Farmer: Respond to Subpoena Now!

With the knowledge that farmers or the masses have no means to get good defense lawyers (except from the Public Attorney's Office or PAO whose officers hardly follow the examples of Attorney General Persida Acosta) fast, if they ever get one at all,  Deputy Provincial Prosecutor James Gerald R. Florendo issued the subpoena below requiring respondent - a farmer from the rural barangays of Santo Domingo in Ilocos Sur, to respond to the accusation of cyber libel, the same day that the farmer received the subpoena delivered by the police in Wednesday, January 7, this tear   The respondent was required to answer the allegations of the town's Municipal Agricultural Officer (MAO) Randy Jose Reburon who filed the case. Apparently, the comment in a social media post "John Park, brother... Please let us help each other... let us make a complain letter . I should be ashamed because the MAO is from our barangay. But there are a lot of complaints. He is ignoring us. he even defies the ...

The Siakol–Repakol–Noel Palomo Feud: A Deep Dive into the Battle for Songs, Rights, and Legacy

  The Filipino rock scene, particularly the '90s era of Original Pilipino Music (OPM) bands, has seen its fair share of controversies, but few have been as drawn-out and emotionally charged as the feud between Siakol, its splinter group Repakol, and former lead vocalist and chief songwriter Noel Palomo. Siakol was formed in the mid-1990s and quickly rose to prominence with their raw, relatable lyrics and catchy melodies. The band was known for its street-smart takes on everyday Filipino life, often delivered with humor and grit. Key hits like “Lakas Tama,” “Gabay,” “Tropa,” “Inuman Na,” and “Bakit Ba Ganyan” cemented their status as a staple in the OPM rock canon. The creative nucleus of Siakol revolved around Noel Palomo, the group's charismatic frontman and principal songwriter. While breakups in bands are not uncommon, what followed was a contentious fallout that continues to reverberate in the OPM community. The most significant point of contention? The continued use ...

Built a Nation, Abandoned by It: The Silent Battle of the Jeepney Pioneer

Francisco Motors Corporation  (FMC) is one of the country's pioneering jeepney builders. Over the years, FMC transitioned from refurbishing war-era jeeps to designing its iconic models, including its modern electric jeepney launched around 2018. FMC’s modern electric jeep costs around ₱985,000/unit— far cheaper than government-endorsed modern jeepneys priced between ₱1.3 and 3 million. 85% locally built (body, motor, chassis); batteries still imported, but for the first 1000 units only. These modern jeeps are designed with urban routes in mind, offering a 150 km range (approximately five trips) and utilizing 50 kWh batteries, which can be charged via the CCS2 standard. As add-on options, the package includes modern features: AC, CCTV, GPS, cashless fares, wheelchair ramps for PWDs, speed limiters, and emergency exits—while keeping the classic jeepney aesthetic. Although FMC produces affordable, culturally resonant units, several obstacles hinder its inclusion in the governmen...